QVCF 2026 Adjudicators
BRETT HOLLAND
Open and Emerging Sections
Brett Holland is a classically trained Bass who holds a BMus (QCM), GradDipEd (QUT) and a MPhil (UQ). He has sung professionally with Opera Queensland and Opera Australia (Brisbane seasons) since 1999 and performed all over the country as a Bass soloist in opera, oratorio and concerts.
As a conductor, Brett has guest directed massed choirs, grand choral works in Festivals, and enjoyed a 20 year tenure as Director of Choral and Vocal Studies at Brisbane Boys’ College. He has adjudicated sessions for a number of regional eisteddfodi and competitions as well as larger events such as Coffs Harbour Eisteddfod, QCCMF, QVC, Townsville and Districts Juvenile Eisteddfod and the North Queensland Eisteddfod.
Brett is a QCOT registered teacher whose vocal students have achieved world class results with Trinity College of London Guildhall singing exams, offers to study with scholarship at every major tertiary music institution in Australia, as well as RCM London, RCS Scotland, Royal Academy London and Conservatorio Santa Cecelia in Rome.
In his spare time Brett roasts coffee, and cuts and facets gems.
Dr Laine Loxlea-Danann
Laine Loxlea-Danann is an internationally acclaimed musical theatre/theater writer, producer, performer, theatre maker, talent manager, singing voice and piano teacher. She has an absolute passion for music, theatre, and art. Her mono musical, The Critical Last Chance Years, has just enjoyed its 2 seasons in 2022 and 2023 at Theatre An Der Rott in Germany and in Queensland, Australia, as a Passage Grant recipient in 2024.
Laine holds a Doctor of Musical Arts from the Queensland Conservatorium of Music, Griffith University. She also has a Master of Music Studies – Vocal Pedagogy Strand, majoring in Contemporary Voice, a Graduate Certificate in Performance, and a Diploma of Music majoring in Voice with a second study in Composition. Additionally, she holds a Double Diploma in Vocational Education and Training, Training Design and Development, and a Cert IV in Training and Assessing.
Previously, Laine has been the Operations Manager for the Hayward Street Theatre Performing Arts Centre, the Head of Music at the Aboriginal Centre for the Performing Arts (ACPA), and the Head of Training and Singing at the Brisbane Academy of Musical Theatre. She has also taught at the Queensland Conservatorium of Music, Griffith University, across various departments including Popular Music, Musical Theatre, Under-Grad Jazz, and Post-Grad Vocal Pedagogy.
Currently, Laine runs her own arts business, Loxlea Creative, specialising in talent management, music and performance lessons & training, and creative productions. She has completed an internship in Theatre Practices and Stagecraft at the Conservatorium Opera School under Giuseppe Sorbello and has undergone sustainable arts business training with Briz Arts Makers at Metro Arts.
Laine is a renowned figure throughout Brisbane and Queensland, celebrated for her multifaceted talents as a singer, actress, performer, theatre maker, teacher, music entrepreneur, producer, musical director, and composer. She also won the critics' award for The Gin and Sin Jazz Salon at the Anywhere Theatre Festival, and her RADF-funded touring cabaret, The Clints Come Again, has garnered much acclaim.
Laine and her collaborator Tyrone (Taz) Walsh are currently writing and producing new works for theatre and film, including The Epiphany Equation and Stone Flowers, set to be performed through 2025 and 2026. Her eclectic career spans opera, jazz, musical theatre, with a special love for intimate cabaret, performing her own compositions.
Laine's creative credits include Danse Noir at the Judith Wright Centre, VoxOnyx at the Brisbane Powerhouse Visy Theatre, Fused for the QMF at the Brisbane Powerhouse, and her own productions A Blind Date with a Diva and Other Shenanigans and Critical Last Chance Years at the Arts Centre Gold Coast and The Retro Bar. She has been an artist-in-residence for Musica Viva's project in Cairns, musical director for Soul Music/Souls Entwined at QPAC and Q150 Shed Tour, performing with her a cappella ensemble Paisley Lane.
Her past credits include a sold-out season of her one-woman show Quintessential Songs of the Naffy Twee, the award-winning Gin and Sin Jazz Salon, the TV show Forensic Investigators, short films Summer Camp, Yoke, and Carpool with Kerry Armstrong, performing as Esmeralda Walschtang in the Limelight Revue, her one-woman shows at Brisbane Cabaret Festival, and releasing three CDs of original work—Miss Laine, Me and the Sky, and Barefoot.
Laine has worked extensively as a musical director, choral conductor, vocal coach, and pianist in productions such as The Queensland Folk Federation’s Boadicea and The Limelight Revue, Dogs in the Roof’s The Understudy, The Fabulous Gooney Girls’ Cabaret, Bobcat Magic produced by the Queensland Music Festival and La Boite Theatre Company, and Voices and Visions for the Centenary of Federation.
As a composer, Laine has written six short-film scores, two of these films won Queensland New Filmmakers Awards and a Woodford Film Festival Award. She has also written string arrangements for performers like The Ten Tenors and Brianna Carpenter.
Music Theatre
Jennifer Enchelmaier
Jennifer is a sessional staff lecturer in French for musicians and pianist for vocal and instrumental students at the Queensland Conservatorium and collaborates with Voxalis and Springboard Opera. Solo and chamber music performances in recent years include a recital of contemporary works at Tempo Rubato, Melbourne and chamber music at the Newcastle Music Festival. A “sympathetic and conscientious interpreter” (Clive O’Connell) her recording of Light in Dark, the complete solo works of Australian composer Tom Henry, was featured in ABC Classic FM’s 2023 new releases.
Following studies at the Tasmanian Conservatorium with Beryl Sedivka, Jennifer pursued further training in France with Cécile Ousset and Odile Poisson and was awarded Premier Prix with distinction at the Conservatoire de Nice 2003/2004. She was a finalist at the 2006 Premio Fausto Zadra International piano competition in Italy. Jennifer has been pianist for Scottish Voices, Glasgow University, Scottish Opera’s education department, The Melba Opera Trust and Victorian Opera, as well as working at the VCA and Melbourne Conservatorium as an accompanist and lecturer in French and German for singers.
Jennifer was a vocal coach at the 2024 Lisa Gasteen National Opera School and is currently undertaking a Master of Music in Vocal Pedagogy at the Queensland Conservatorium.