QVCF 2026 Adjudicators
Alexandra Flood
Open Operatic Aria and AGQ Collaborative ART SONG
Australian lyric coloratura soprano Alexandra Flood has been a principal soloist at the Vienna Volksoper since 2022, where she has performed roles such as Adele/Die Fledermaus, Gretel/Hänsel und Gretel, Musetta/La bohème, and Pamina/The Magic Flute. In the current season, Alexandra made her debut with the Melbourne Symphony Orchestra and Vassily Petrenko, and performed Carmina Burana at Opéra de Dijon. In 2026, Alexandra makes her debut performance with Opera Australia as Valencienne in The Merry Widow at the Sydney Opera House and Musetta in La bohéme at the Regent Theatre
An accomplished performer across myriad genres, Alexandra enjoys a special connection with Bel canto opera, with works such as Lucia di Lammermoor, La sonnambula, and i Capuleti e I Montecchi among her core repertoire. Alexandra began her career as a young artist at the Salzburg Festival (Blonde/Die Entführung aus dem Serail für Kinder, Modistin/Der Rosenkavalier), working with such luminaries as Harry Kupfer and Franz Welser-Möst. Whilst completing her Masters at the Hochschule für Musik und Theater in Munich, Alexandra debuted as Marguerite/Le Petit Faust (Hervé) at the Staatstheater am Gärtnerplatz, performed Norina/Don Pasquale at Opéra Krakow, Vixen/The Cunning Little Vixen with Pacific Opera, Sydney, Blonde/Entführung at the Bregenz Landestheater, the soprano lead in J. Dove’s church-opera Tobias and the Angel with the Munich Radio Orchestra and Violetta in a new Traviata Remixed production by Lotte de Beer at the Grachten Festival Amsterdam.
Following her studies, Alexandra enjoyed a flourishing solo career, including as Maria/West Side Story in Bolzano, Italy, the world premiere of Moritz Eggert’s opera Caliban at the Dutch National Opera Opera Forward Festival, Nannetta/Falstaff at Malmö Opera, Barbarina/Le nozze di Figaro at Teatro Réal, Jemmy/Guillaume Tell with Victorian Opera, Norina/Don Pasquale at the Bregenz Landestheater, and Elle/La voix humaine with Opera Queensland among others.
In France, Alexandra has appeared with the Opéra de Paris as Female Chorus/The Rape of Lucretia as a guest of the Académie, followed by concerts at Festival d’Aix-en-Provence alongside conductor Thomas Hengelbrock and the Balthasar Neumann Ensemble. Alexandra has also performed with Joseph Bastian at the New Year’s Concert at the Opéra de Dijon.
In concert, Alexandra has appeared with such orchestras as the Adelaide, Queensland, Moravian, Rossini, National (US), Bochum and Berlin Symphony, the St Petersburg and Vienna Philharmonic, the Southwest and Polish Radio Orchestras, in such illustrious venues as KKL Luzern, Bolshoi Opera Minsk, St Petersburg Grand Philharmonic Hall, Berlin Philharmonic, Teatro la Fenice, Vienna Concert House, and the Sydney Opera House.
Alexandra’s awards include first runner-up at the Richard Strauss Competition (2015 & 2017), 2nd place at the International Haydn Competition in Niederösterreich (2023), and 3rd place at Das Lied competition in Heidelberg (2023). Alexandra was a finalist in the Otto Edelmann Competition in Austria (2019) and in das Debut competition in Germany (2020).
Alexandra is the Artistic Director of the Queensland Art Song Festival, an educational initiative focused on bring performance and practice opportunities in classical art song to young Australians.
BRETT HOLLAND
Open and Emerging Sections
Brett Holland is a classically trained Bass who holds a BMus (QCM), GradDipEd (QUT) and a MPhil (UQ). He has sung professionally with Opera Queensland and Opera Australia (Brisbane seasons) since 1999 and performed all over the country as a Bass soloist in opera, oratorio and concerts.
As a conductor, Brett has guest directed massed choirs, grand choral works in Festivals, and enjoyed a 20 year tenure as Director of Choral and Vocal Studies at Brisbane Boys’ College. He has adjudicated sessions for a number of regional eisteddfodi and competitions as well as larger events such as Coffs Harbour Eisteddfod, QCCMF, QVC, Townsville and Districts Juvenile Eisteddfod and the North Queensland Eisteddfod.
Brett is a QCOT registered teacher whose vocal students have achieved world class results with Trinity College of London Guildhall singing exams, offers to study with scholarship at every major tertiary music institution in Australia, as well as RCM London, RCS Scotland, Royal Academy London and Conservatorio Santa Cecelia in Rome.
In his spare time Brett roasts coffee, and cuts and facets gems.
Dr Laine Loxlea-Danann
Laine Loxlea-Danann is an internationally acclaimed musical theatre/theater writer, producer, performer, theatre maker, talent manager, singing voice and piano teacher. She has an absolute passion for music, theatre, and art. Her mono musical, The Critical Last Chance Years, has just enjoyed its 2 seasons in 2022 and 2023 at Theatre An Der Rott in Germany and in Queensland, Australia, as a Passage Grant recipient in 2024.
Laine holds a Doctor of Musical Arts from the Queensland Conservatorium of Music, Griffith University. She also has a Master of Music Studies – Vocal Pedagogy Strand, majoring in Contemporary Voice, a Graduate Certificate in Performance, and a Diploma of Music majoring in Voice with a second study in Composition. Additionally, she holds a Double Diploma in Vocational Education and Training, Training Design and Development, and a Cert IV in Training and Assessing.
Previously, Laine has been the Operations Manager for the Hayward Street Theatre Performing Arts Centre, the Head of Music at the Aboriginal Centre for the Performing Arts (ACPA), and the Head of Training and Singing at the Brisbane Academy of Musical Theatre. She has also taught at the Queensland Conservatorium of Music, Griffith University, across various departments including Popular Music, Musical Theatre, Under-Grad Jazz, and Post-Grad Vocal Pedagogy.
Currently, Laine runs her own arts business, Loxlea Creative, specialising in talent management, music and performance lessons & training, and creative productions. She has completed an internship in Theatre Practices and Stagecraft at the Conservatorium Opera School under Giuseppe Sorbello and has undergone sustainable arts business training with Briz Arts Makers at Metro Arts.
Laine is a renowned figure throughout Brisbane and Queensland, celebrated for her multifaceted talents as a singer, actress, performer, theatre maker, teacher, music entrepreneur, producer, musical director, and composer. She also won the critics' award for The Gin and Sin Jazz Salon at the Anywhere Theatre Festival, and her RADF-funded touring cabaret, The Clints Come Again, has garnered much acclaim.
Laine and her collaborator Tyrone (Taz) Walsh are currently writing and producing new works for theatre and film, including The Epiphany Equation and Stone Flowers, set to be performed through 2025 and 2026. Her eclectic career spans opera, jazz, musical theatre, with a special love for intimate cabaret, performing her own compositions.
Laine's creative credits include Danse Noir at the Judith Wright Centre, VoxOnyx at the Brisbane Powerhouse Visy Theatre, Fused for the QMF at the Brisbane Powerhouse, and her own productions A Blind Date with a Diva and Other Shenanigans and Critical Last Chance Years at the Arts Centre Gold Coast and The Retro Bar. She has been an artist-in-residence for Musica Viva's project in Cairns, musical director for Soul Music/Souls Entwined at QPAC and Q150 Shed Tour, performing with her a cappella ensemble Paisley Lane.
Her past credits include a sold-out season of her one-woman show Quintessential Songs of the Naffy Twee, the award-winning Gin and Sin Jazz Salon, the TV show Forensic Investigators, short films Summer Camp, Yoke, and Carpool with Kerry Armstrong, performing as Esmeralda Walschtang in the Limelight Revue, her one-woman shows at Brisbane Cabaret Festival, and releasing three CDs of original work—Miss Laine, Me and the Sky, and Barefoot.
Laine has worked extensively as a musical director, choral conductor, vocal coach, and pianist in productions such as The Queensland Folk Federation’s Boadicea and The Limelight Revue, Dogs in the Roof’s The Understudy, The Fabulous Gooney Girls’ Cabaret, Bobcat Magic produced by the Queensland Music Festival and La Boite Theatre Company, and Voices and Visions for the Centenary of Federation.
As a composer, Laine has written six short-film scores, two of these films won Queensland New Filmmakers Awards and a Woodford Film Festival Award. She has also written string arrangements for performers like The Ten Tenors and Brianna Carpenter.
Music Theatre
Jennifer Enchelmaier
AGQ Open Collaborative Art Song - Voice and Piano
Jennifer is a sessional staff lecturer in French for musicians and pianist for vocal and instrumental students at the Queensland Conservatorium and collaborates with Voxalis and Springboard Opera. Solo and chamber music performances in recent years include a recital of contemporary works at Tempo Rubato, Melbourne and chamber music at the Newcastle Music Festival. A “sympathetic and conscientious interpreter” (Clive O’Connell) her recording of Light in Dark, the complete solo works of Australian composer Tom Henry, was featured in ABC Classic FM’s 2023 new releases.
Following studies at the Tasmanian Conservatorium with Beryl Sedivka, Jennifer pursued further training in France with Cécile Ousset and Odile Poisson and was awarded Premier Prix with distinction at the Conservatoire de Nice 2003/2004. She was a finalist at the 2006 Premio Fausto Zadra International piano competition in Italy. Jennifer has been pianist for Scottish Voices, Glasgow University, Scottish Opera’s education department, The Melba Opera Trust and Victorian Opera, as well as working at the VCA and Melbourne Conservatorium as an accompanist and lecturer in French and German for singers.
Jennifer was a vocal coach at the 2024 Lisa Gasteen National Opera School and is currently undertaking a Master of Music in Vocal Pedagogy at the Queensland Conservatorium.
Lisa Lockland-Bell
Novice and Emerging
Lisa Lockland-Bell is a highly respected vocal coach, performance mentor and voice specialist with more than 35 years of experience working with singers, performers and professionals across all stages of development. Based in Loganholme, South East Queensland, Lisa works both in-person and online with clients throughout Australia and internationally.
A graduate of the Queensland Conservatorium of Music, Lisa has built an outstanding reputation for her transformative and holistic approach to vocal training. Her work combines evidence-based vocal pedagogy, performance psychology and nervous system regulation to help singers develop voices that are strong, expressive and reliable in real-world performance settings.
Lisa’s extensive professional development has included study with internationally renowned vocal experts such as Armenian soprano Arax Mansourian, Juilliard master teacher Daniel Ferro, and American vocal innovator Mindy Pack, creator of The Voice Straw and leader in contemporary commercial music and SOVT-based training. Her broader studies in wellbeing, mindset and personal development further inform her emotionally intelligent and empowering teaching style.
Through her studio, Performance Studios, Lisa mentors emerging artists, experienced performers and professionals seeking greater confidence, stamina, artistry and stage presence. Her coaching is recognised for blending classical foundations with contemporary vocal science and commercial music techniques, creating a supportive and highly effective pathway for vocal growth.
Lisa is passionate about helping singers uncover their authentic voice and communicate with confidence, clarity and artistry.