QPC 2026 ADJUDICATORS

Introducing some of our esteemed adjudicators, bringing their expertise and wealth of knowledge to our 33rd Queensland Piano Competition

Dr. Mark Griffiths

Section: 13 years, 15-16 years, 17-18 years, Diploma Finals

Dr. Mark Griffiths has established a distinguished career in teaching, examining, adjudication and performance. He is a graduate of Queensland Conservatorium Griffith University, where he has been a tertiary and pre-tertiary lecturer for thirty years. Mark was appointed to the AMEB Qld examining board in 2006 and acted as syllabus consultant and reviewer for the recent AMEB Series 19 piano publications. His current focus areas at Queensland Conservatorium are one-to-one piano pedagogy, group teaching and program coordination within Young Conservatorium, and he serves as piano teacher and accompanist at Anglican Church Grammar School (Churchie). Dr. Griffiths is an experienced presenter and masterclasses clinician, and he enjoys sharing his ideas and experiences with students and their teachers, adjudicating competitions, eisteddfodau and festivals across Australia.

This year will be his sixth time adjudicating the Queensland Piano Competition.

Gareth Jones

Sections: 12 years, 14 years

Gareth Jones graduated from the Queensland Conservatorium of Music in 2003 with a Bachelor of Music (Piano) and a Master of Music Studies. During this time, he completed his Associate Diploma in Piano with Distinction before being awarded his Licentiate Diploma the following year.

Since then, Gareth has recorded four piano albums, including his original album Illustrations in 2020. He has adjudicated numerous eisteddfods and competitions throughout Queensland and New South Wales, including a previous Queensland Piano Competition, and is an examiner for the Australian Music Examinations Board (AMEB).

Gareth is currently the Head of Performance Music at Sheldon College in the Redlands, where he conducts choirs, string orchestras and concert bands, and regularly arranges music for these ensembles. In addition to teaching piano, he enjoys playing the cello and clarinet in his spare time.

Barry Walmsley

Sections: 15-16 years, 17-18 years, Diploma Heats

KSJ, MMus, BEd, DSCM, AMusA, ATCL, LTCL, LGSMD, MACE, MACEL, FAIM, HonTCL

Barry Walmsley has enjoyed a distinguished career as a music educator, piano accompanist, writer, and adjudicator.

At the Sydney Conservatorium, he studied for the DSCM in piano with Eunice Gardiner and Gordon Watson, as well as organ with Robert Ampt at Sydney, and Sharon Raschke at Newcastle. He went on to add a music education degree after this, as well as the Associate and Licentiate diplomas from Trinity College London.

In the mid-80’s, Barry took up a part-time lecturing position in music at Avondale University, teaching harmony, piano and curriculum studies to undergraduate students.

For 11 years since 1990, Barry was the music critic for The Newcastle Herald, writing a regular column each week, as well as reviewing new books and CDs. During this time, he attained the Master of Music degree from the University of New South Wales and was subsequently made a Member of the Australian College of Education.

He is a member of numerous professional networks including the Music Teachers’ Association of NSW (of which he is a Past-President). He is also a Fellow of the Institute of Managers and Leaders, and a member of both the Australian College of Educators and the Australian Council of Educational Leaders. In 2022, he was appointed to the Council of The Australian Society of Musicology and Composition).

He has worked for Trinity College London (1986-2021) and was awarded Honorary Membership to the College by the College’s patron, HRH The Duke of Kent at a ceremony in London’s Wigmore Hall in 1995, in recognition of his contribution to music education and Trinity’s work in Australia. In 2002 in London, he was again the recipient of an award: the Chairman’s Award from Lord Geddes (Chair, Board of Governors).

Barry has performed in such great venues as Sydney Opera House, Sydney Town Hall, City Recital Hall – Angel Place, Hoosier Dome (Indianapolis, USA) and the Cathedrals of St Mary’s (Sydney), St Andrew’s (Sydney), St Patrick’s (Parramatta), St John’s (Brisbane), Christ Church (Newcastle), and throughout USA and New Zealand.

He has been Musical Director for many productions and events. For the Gold Coast Arts Centre, he was the MD for the Australian premiere of Jekyll & Hyde starring Rob Guest (2004).

He has been Director of Music at two distinguished schools: The Southport School (2001-2005), and The King’s School, Parramatta (2005-2020)

Jennifer Enchelmaier

Sections: Novice, Intermediate

Jennifer’s experience as a pianist has encompassed many facets of music-making, from contemporary classical repertoire, solo and chamber music, to accompanying art song and opera.

She recently performed in Voxalis Opera’s Triple Bill which featured UK composer Iain Bell’s monumental song cycle for tenor and pianist ‘Comfort Starving,’ and is undertaking a master’s degree in vocal pedagogy. A “sympathetic and conscientious interpreter” (Clive O’Connell) her recording of Light in Dark, the complete solo works of Australian composer Tom Henry, was featured in ABC Classic FM’s 2023 new releases. Following studies at the Tasmanian Conservatorium with Beryl Sedivka, Jennifer completed studies in France with Cécile Ousset and Odile Poisson and was awarded a Premier Prix with distinction at the Conservatoire de Nice, 2004.

She has been a finalist at the Premio Fausto Zadra International piano competition (Italy) and was a founding member of the new music ensemble, Six Degrees in Melbourne. Jennifer is a sessional staff member at the Queensland Conservatorium where her roles have included post-graduate piano teaching, instrumental and vocal accompaniment, including the Lisa Gasteen National Opera School, and as lecturer in French language subjects for singers.

Mark Hooper

Sections: 10 years, 11 years

Brisbane-born pianist Mark Hooper studied at the Queensland Conservatorium and the Royal College of Music, London, later teaching piano at Oxford University and running courses for piano teachers. With over three decades of international experience, he has worked with world-class musicians such as Yehudi Menuhin and Mitsuko Uchida, recorded five solo CDs, and established unique concert series in both the UK and Brisbane. Passionate about inspiring musicians of all ages, Mark brings a wealth of expertise, warmth, and artistry to every teaching setting.

Prof. Bernard Lanskey

Sections: Diploma Heats, Concerto

Active internationally for 30 years as a senior administrator, educator, collaborative pianist, scholar, recording producer and festival director, Professor Bernard Lanskey took up the position of Director, Queensland Conservatorium Griffith University in August 2021. He is also a member of the International Advisory Board for the Tianjin-Juilliard School in China, Visiting Professor and Consultant to the National University of Singapore, and an Artist in Residence at La Loingtaine near Fontainebleau in France.

Born in Cairns, Australia, he was awarded BMus (Hons 1st) at the University of Queensland in 1981 before moving to more specialised pianistic studies, first in Paris (with support from the Alliance Française Australia) and then at the Royal College of Music in London (supported by the Florence Davey Scholarship) where he completed a Master’s degree with Peter Wallfisch in 1988. He has performed throughout Australia, Southeast Asia, China, Great Britain and in many European countries, working principally with string players and singers in chamber music, mixed recital and lecture-recital combinations.

From 2007 until 2021, he was Director and Dean of the Yong Siew Toh Conservatory of Music, National University of Singapore. While in Singapore, he was the President of the Southeast Asian Directors of Music Association (SEADOM: 2012 -2021) which he had helped establish, as well as the co-opted Global Representative on the European Association of Conservatoires’ Executive Council (AEC: 2017 - 2023).

 Before moving to Singapore in 2006, Bernard was a member of London’s Guildhall School of Music & Drama’s Directorate where he was responsible for overseeing the school’s postgraduate and ensemble programmes, receiving a Fellowship in 2001 for his contributions. In 2019, he received the Public Administration Medal (Silver) as part of Singapore’s 2019 National Day Awards while, in 2023, his contribution to Southeast Asian Music was acknowledged by SEADOM through being awarded the organisation’s inaugural Honorary Award in Music Leadership.

Emer. Prof. Peter Roennfeldt

Sections: Concerto

Emeritus Professor Peter Roennfeldt is well known as a keyboard musician and director of vocal ensembles.

Queensland born, he graduated from both the University of Queensland and the University of Adelaide, before spending four years in the United States, where he studied with Bela Siki and graduated with a Doctor of Musical Arts majoring in Piano Performance from the University of Cincinnati. He performs frequently in chamber music ensembles with players from the Queensland Symphony Orchestra and the Queensland Conservatorium, with a particular interest in historical performance practices using period instruments. Peter’s repertoire interests range from twentieth century music for two pianos to lesser known works by nineteenth century composers. For the past two decades he has given regular recitals of solo and chamber music featuring the fortepiano and also a Viennese piano built in the 1840s.

Peter is also well known for his leadership of choirs, which in the past have included the Brisbane Chorale, the Cantilena Singers which specialised in baroque music, and various Conservatorium ensembles. For the past decade his major focus has been song cycles and partsongs by nineteenth and early twentieth century composers, presented in salon recitals in heritage venues by the Soirées Musicales Quintette which he directs from the piano. This ensemble has also explored once-familiar music from colonial times up to World War Two, and this year the group is currently involved with a major recording project with the State library of Queensland.

In addition to his performance activities, Peter is heavily involved with historical research with a particular focus on the cultural heritage of Queensland. His sixth book, which will be published this year, is study of Mayne Hall as a public venue, which follows on from a previous book on Brisbane’s Albert Hall. Other books include the anniversary histories of the Queensland Conservatorium and the Queensland Music Teachers’ Association, and a biography of Madame Mallalieu, one of our state’s most prominent musical pioneers. He is in demand as a guest speaker on his research for professional and community organisations, and also presents radio broadcast series for 4MBS Classic FM focussing on baroque music or special topics based on his local history research.

For more than 30 years Peter was on the academic staff of Queensland Conservatorium Griffith University, including a 7-year term up to 2009 as its Director. He continues this connection in an honorary capacity, as Emeritus Professor. Peter has also held national leadership positions with the Australian National Choral Association, the National Council of Tertiary Music Schools, and the Australasian Piano Pedagogy Conference. As an adjudicator, Peter has officiated throughout Queensland and northern New South Wales, both for eisteddfods, the Queensland Youth Music Awards, the Queensland Piano Competition and Education Queensland’s Fanfare program.

Dr. Suzanna Hlinka

Sections: Australian Composer, Duets

Described by the Courier Mail as a ‘prodigious talent’, Australian-Czech Dr. Suzanna Hlinka began playing the piano at the age of three, performed her first solo recital at eight years old, and made her first concerto appearance with an orchestra at ten years old. With her multi-faceted playing style that 4MBS Classic FM called ‘pure magic’ and ‘poetry in motion’, Suzanna has been greeted by enthusiastic audiences throughout Australia, Asia, and Europe, performing in the world’s most prestigious concert venues and winning top prizes in various international competitions. Suzanna has released two solo CDs and two CDs for cello and piano together with her husband, cellist Christoph Blickling.

Suzanna graduated with a Bachelor of Music from the Queensland Conservatorium Griffith University and a Master of Arts from Prague’s Academy of Performing Arts. Her research was recognised by the Czech Government with the award of the coveted Czech Head. Suzanna finalised her studies with a Doctor of Musical Arts degree from the University of Western Australia with the assistance of the Hackett Postgraduate Scholarship.

Suzanna has previously worked as an academic lecturer at the Australian Institute of Music in Sydney working in the classical, academic, and graduate departments. She has been in demand as an adjudicator and teaching artist, regularly giving masterclasses in association with numerous organisations. Suzanna currently devotes herself to developing young talent in Brisbane at the Young Conservatorium Griffith University. Suzanna’s previous students have gone on to be fabulous performers, teachers, and adjudicators nationwide, and have also furthered their achievements overseas. 

 Together with her husband, Suzanna is also the co-founder of Pitch Wizard, an exciting new interactive education platform designed for teaching classical music theory and aural skills to beginner instrumentalists.